The story itself is too complicated to describe in any detail. I presume that’s where the title, “Jigsaw”, comes from, and not from the fact that the girl’s body was so gruesomely mishandled. The police have no names, neither the victim nor the presumed killer, and begin visiting neighbors and shops, trying to piece together enough independent data to complete a picture of what happened. There is occasional overlapping dialog, some brisk but friendly banter, orders are casually snapped out and followed at once. The director, Val Guest, also wrote the screenplay. Once the body is uncovered, the police shift into high gear and the film turns into a nifty policier. At first, knowing only that the “Campbells” skipped on the rent, they poke around the house in a leisurely fashion, examining the furniture, the furnace, and so on, all quite disinterestedly, despite being nettled by Oulton, the impatient owner. The renter of the house, Brian Oulton, is all upset because the occupants are behind in their payments so the police are called in. We never do see the killer and thereby hangs a tail. The boyfriend evidently doesn’t want to build a home because he kills her, chops her up, and stashes her in a trunk in the garage - most of her, anyway. A tarty blond gets out of bed and informs her boyfriend that she’s pregnant so they’ll have to be married. Jigsaw (1962) YIFY – Download Movie TORRENT
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